Listening Through Seeing : Aspects of the perception of music and dance
- Choreomusical work opens a world of images and signs beyond language. The expressiveness of what is heard and seen merges with the tacit-knowing-view of the viewer and the listener. Meaningful resonances and processes of understanding develop along the structure of the work and within the individual construct of implicit and explicit knowledge of the audience. In this process, perception plays a major role. Aside from the obvious processing of acoustic and visual stimuli, this paper will look at the role of proprioception, especially the kinaesthetic sense, with regard to its role as intermediary and creator in the process of perception.
Verfasserangaben: | Prof. Dorothea Weise |
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URN: | urn:nbn:de:kobv:b170-19548 |
DOI: | https://doi.org/10.25624/kuenste-1954 |
Dokumentart: | Bericht |
Sprache: | Englisch |
Jahr der Fertigstellung: | 2022 |
Veröffentlichende Institution: | Universität der Künste Berlin |
Datum der Freischaltung: | 16.11.2022 |
GND-Schlagwort: | MusikGND; TanzGND; WahrnehmungGND |
Seitenzahl: | 6 |
DDC-Klassifikation: | 7 Künste und Unterhaltung |
Weitere Hinweise: | This text is an excerpt from the article of the same name in: "Music in Motion", ed. by Stephanie Schroedter, Vienna: mdw-press in cooperation with transcript publishing (Bielefeld) [in preparation, expected date of publication: 2023] |
Weitere Hinweise: | This contribution is part of the Erasmus+ Project Eurhythmics in Education and Artistic Practice (EEAP). |
Lizenz (Deutsch): | Creative Commons - CC BY - Namensnennung 4.0 International |